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fotografie --- portretfotografie --- zelfportret --- zelfportretten --- België --- Amouzou Hélène --- enscenering --- eenentwintigste eeuw --- 77.071 AMOUZOU --- Exhibitions
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fotografie --- eenentwintigste eeuw --- Lê An-My --- documentaire fotografie --- oorlogsfotografie --- enscenering --- Verenigde Staten --- 77.071 LE --- Exhibitions
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Fox, Anna --- fotografie --- Groot-Brittannië --- twintigste eeuw --- eenentwintigste eeuw --- Fox Anna --- documentaire fotografie --- enscenering --- 77.071 FOX
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Between 1990 and 1992, Philip-Lorca diCorcia, funded by a National Endowment for the Arts fellowship, made multiple trips to Los Angeles to scout locations, invent scenarios and to find male prostitutes that would agree to pose for his camera. The last task proved to be the easiest: diCorcia simply used his fellowship money to pay the men whatever price they charged for their most typical service and ultimately prompted a complaint of misuse of government funds. In 1993, 21 selected images were initially exhibited at The Museum of Modern Art, marking Philip-Lorca diCorcia's first solo exhibition. The show, entitled Strangers was accompanied by a museum catalog. Twenty years later, steidldangin publishes the series in its entirety. Hustlers is an empathetic yet melancholic poem of the Hollywood dream gone wrong, prescribing to the heavily-staged pictorialism and happenstance of street casting for which diCorcia is most widely recognized. Knowing precisely what he wanted from each photograph, and fearful of police involvement, diCorcia would prearrange all settings: this motel room, that vacant lot, in between cars, in a fast-food restaurant--the narrative was always deliberate. From the moment diCorcia approached a potential subject (usually around Santa Monica Boulevard in Hollywood), to the completion of the shoot, seldom more than one hour had passed. The titles of these encounters amplify the facts--for example: "Ralph Smith, 21 years old, Ft. Lauderdale, Florida, and $25.
DiCorcia, Philip-Lorca --- fotografie --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- diCorcia Philip-Lorca --- portretfotografie --- enscenering --- 77.071 DICORCIA
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Enscenering haalt cliënten uit hun vastgeroeste patronen. Het werken met rollen, scènes en objecten lokt nieuwe gesprekken en sterkere respons uit.De auteurs van dit sterke praktijkboek openen vanuit een eerlijke, authentieke houding een deur naar hun dagelijks werk met als doel de lezer mee te leiden in deze aanpak. "Als u na het lezen van dit boekje ook maar een fractie van die beïnvloeding aan den lijve zou ondervinden, zijn we volledig in ons opzet geslaagd," aldus de auteurs.In deze herwerkte editie is een volledig nieuw hoofdstuk toegevoegd met voorbeelden en advies om enscenering te gebruiken in het werk met cliënten met autismespectrumstoornis.Bron: https://www.standaardboekhandel.be/seo/nl/boeken/psychologie/9789038225913/dirk-van-den-abbeele-rianne-jansen-roland-rogiers/impacttechnieken
Hulpverlening --- Rollenspel --- Autisme --- Psychotherapie --- Werkvormen --- welzijnswerk, methoden --- welzijnswerk --- communicatie --- 361.1 --- Werkvorm --- Autismespectrumstoornis --- Psychiatry --- psychotherapie --- enscenering --- hulpverlening
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Portrait photography --- Portrait (Photographie) --- Exhibitions --- Expositions --- Lafont, Suzanne, --- Lafont Suzanne --- 7.071 LAFONT --- fotografie --- portretfotografie --- twintigste eeuw --- Frankrijk --- enscenering --- Exhibitions.
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Born in 1964 in Munich, Barbara Probst studied sculpture at the Akademie der Bildenden Künste in Munich and photography at the Kunstakademie Düsseldorf. After starting out as a sculptor, she has been working on photographic series entitled Exposures since 2000. Each of these series consists of various representations of the same moment, generated by a multitude of cameras pointed at the same event or subject, from different angles and at different distances. Once the images are linked to each other, an enigmatic drama emerges from these sets, calling to mind different photographic genres (from portrait to still life, landscape or studio photography). Bringing to light the artefacts of the photographic process and focusing on representation strategies, Barbara Probst challenges our ability to decipher reality. The book features both her first emblematic works such as Exposure #1 (2000) and her most recent series created in 2018, Exposures # 138, 139 and 140. In his essay the author Frédéric Paul (curator at Centre Pompidou, Paris) explores the conceptual and theoretical background of Probst?s work by explaining her process of conceptualising and creating the exposures as well as aspects of installation and exhibition and the impact on the viewer.
Photography --- photographers --- Probst, Barbara --- fotografie --- eenentwintigste eeuw --- portretfotografie --- stillevens --- stillevenfotografie --- enscenering --- Probst Barbara --- installaties --- Duitsland --- 77.071 PROBST --- Exhibitions
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Theater --- 792.037 --- Podiumkunsten ; enscenering --- Theaterdecors --- Theater ; Russische avant-garde --- Theater ; Sovjetunie ; Rusland ; 1905-1932 --- History --- Theater ; 1900 -1950 --- Theatrical science --- anno 1900-1999 --- Russia
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kunst --- twintigste eeuw --- Wall Jeff --- fotografie --- enscenering --- schilderkunst --- Canada --- 77.071 WALL --- Exhibitions --- Photography --- motion pictures [visual works] --- Wall, Jeff --- anno 1900-1999
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Iconography --- Pleureurs (Personnes endeuillées) dans l'art --- Rouwklagers in de kunst --- Treurenden (Rouwenden) in de kunst --- Weepers (Mourners) in art --- fotografie --- portretfotografie --- enscenering --- eenentwintigste eeuw --- Heynen Bart --- België --- 77.071 HEYNEN --- Portrait photography --- Belgium --- 21st century --- Artists
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